Chamberviolin and piano


Aubade
for recorder (or flute or violin) and piano            

Molto moderato

  • 1953        Schott [ED 10330]    
  • Duration: 8’26” - 8’56”
  • Requested by Dolmetsch for a 1952 Wigmore Hall recital.
  • Dedicated to:  Arnold Dolmetsch

Cherry ripe:  Morceau
for violin and piano

Molto sostenuto – Allegretto molto moderato    

  • 1911    
  • Schott [29441]
  • Dedicated to:  Fritz Kreisler
  • LE:  Schott [ED 1948]
  • Note:  Cf. also S.220 and 402

Deux préludes                

  1. Prelude no.1 - Poéme Érotique — Andante – Poco più mosso – Tempo I (5’10”)
  2. Prelude no.2 – Danse — Allegro (2’24”)
  • No. 1: Dedicated to:  “An Herrn Adolf Rebner”
  • No. 2: Dedicated to:  Miss Daisy Kennedy
  • 1912    Schott [7’34”]
  • LE:  1991, Masters Music Publications

Elégie, Op.73 #1          

            Andante         

  • 1910    
  • Schott [28928-1]    
  • Duration: 5’02”
  • Dedicated:  “To my Friend Paul Stoeving”

Fantaisie orientale

  • 1938 (1937?)
  • Duration: 8’07”

The Gentle Maiden
for violin or cello and piano 

Andante

  • c1925**
  •  1912    
  • Schott [29646]        
  • Duration: 2’09”

Irish Suite

  1. Irish Lament    Moderato – Andante – Tempo Io [5+1p / 56b]        [27046]
  2. Irish Dance    Allegretto  [7+3p /    125b]            [27047]
  • 1917  G. Schirmer [27046-27047]
  • Dedicated to:  Francis Macmillan
  • Note:  Cf. S.225

Romance, Op.73 #2                            

Lento (4’11”)

  • [6+3p / 92b]
  • 1910    Schott [28928-2]    
  • Dedication:  “To my Friend Paul Stoeving”

Sonata no. 1, Op.59,
for violin and piano    

  1. Allegro moderato (9’48”)
  2. Andante (7’44”)
  3. Allegro molto scherzando (2’46”)
  4. Allegro maestoso (8’30”)
  • [64+19p]    
  • 1908 /1910    
  • Schott[28818]
  • Duration: [28’48”]    [25’ CS]
  • Dedicated to:  Miss Ethel Barns        
  • LE:  Schott [ED 1449]

Sonata No. 1 — original version — 1910
* world premiere recording


Sonata,
for two violins and piano

  1.  Poco tranquillo – Tempo moderato poco rubato e grazioso – Meno mosso – Tempo I – Molto tranquillo, and lingeringl
  2.  Elegy:  Andante sostenuto
  3.  Finale frivolo:  Energic
  • [41 + 9 + 9p]   
  • 1964        Elkin [2696 – scribal score]
  • MS:  with estate

Sonata lirica

  1. Allegro moderato (9’44”)
  2. Andante tranquillo  (4’17”)
  3. Allegro vigoroso (6’25”)
  • Dec.3, 1937
  • Duration: [20’26”]    [20’ CS

Sonata melodica

  1. Moderato – Più mosso – Energico – Andante sostenuto / Poco più mosso – Tranquillo semplice – Andante senza trascinare – Con moto – Tempo primo – Con moto
  2. Adagio ma non troppo – Poco più mosso – Andante sostenuto   
  3. Allegro vigoroso, ma non troppo – Poco meno vigoroso – Allegretto – A tempo ma poco rubato (quasi allegretto) – Con moto – Tranquillo (lingeringly) – Quasi tempo I  
  • Dedicated to:  Françcois d’Albert
  • 1950        
  • 1953    Elkin [2289]        
  • Duration: [22’17”]

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Sonata no. 2

  • 1950
  • Same work as S.133?

Sonata no. 3

  1. Tranquillo                                                                   11’03”
  2. Pastorale.  Andante amabile                                    6’13”
  3. Rondo capriccioso.  Energico e poco rubato        6’07”
  • 1955        1955                [23’23”]

Sonata no. 4                        

  1. Andante tranquillo (7:46)
  2. Allegretto moderato e amabile (2:42)
  3. Energico (5:47)
  • 1956

* world premiere recording

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Sonnet 1

Allegretto molto moderato – Poco meno mosso

  • [5+1p / 56b]    
  • 1914     Schott [29982]
  • rev. 1956    Schott 
  • Dedicated:  Daisy Kennedy
  • Note:  Jean Paul quote precedes the score:  “And from the whole of nature around me flowed peaceful strains, as if from distant evening bells.”

Sonnet 2                      

  •  1914

Tallahassee: Suite, Op. 73 #4

  1. Bygone Memories    Andante molto sostenuto – Poco più mosso (3’01” - 3’52)
  2. After Sundown    Allegretto – Andante (2’37” - 3’24”)
  3. Air et Danse négre    Allegro – Andante – Allegro con spirito    
  • [11p/ 243b]    1910    Schott
  • Duration: 9’45” - 11’38”
  • 1910-11   Schott
  • Dedicated to:  Efrem Zimbalist
  • premiered by Zimbalist and Scott on March 22, 1911 at Bechstein Hall, London
  • LE:      Schott [1450 – 29290/1-3]
  • Masters Music Publications [M 3544]  (Schott [1450])

Trois Pièces lyriques

  • for Violin and Piano, op. 73

Valse triste, Op.73 #3                            

  • 1910
  • dedicated to Paul Stoeving
  • Mainz: Scott, 1910